The 15 Best Bass Music Tracks Of February 2025
Welcome back to this monthly music chart, where we highlight and break down the top 15 bass-fueled anthems. February’s selection encompasses a ton of festival headliners, including GHENGAR, Levity, and Ganja White Night, to name a few.
However, we also have brain-melting representation from fast-rising underground artists such as Capochino, Meduso, and MYTHM, reflecting experimental bass, wubs, dubstep, heavy bass house, trap, riddim, and everything in. Enter the realm of sonic experimentation as we shed light on various bass-powered anthems and their creators.
Follow our Spotify playlist below to keep tabs on all the tracks we have featured in our bass music chart this year and across 2024:
Levity – Postman [Ultra Records]
This one’s got soul. Levity channels vintage nostalgia into a bass-heavy modern flip, fusing doo-wop-inspired croons with deep, snarling distortion. The contrast is unreal, from silky melodies one moment to complete sonic destruction the next. It is the kind of track that feels both elegant and chaotic, a testament to Levity’s ability to push boundaries without losing the groove.
Taiki Nulight, borne – Out of Control [A Chaos / Polydor]
If you like your bass music gritty, unhinged, and hypnotic, this tune is for you. Taiki Nulight and borne throw listeners into the abyss with “Out of Control,” a track that blends quivering low-end with razor-sharp percussion. It is dark, raw, and relentless, keeping you locked in from start to finish. The vocal elements make it feel almost otherworldly, like you are being dragged into a different dimension.
Stylust, Buku – Crash The Party [Sleeveless Records]
When these two link up, you already know it is about to be reckless. “Crash The Party” is a no-holds-barred bass anthem packed with rowdy energy and chest-rattling low-end. Stylust brings that West Coast swagger, Buku brings his signature wonky textures, and together, they have cooked up a track that guarantees dancefloor chaos.
GHENGAR, Ghastly – HELP MEEEE!!! [RATED M RECORDS]
Ghastly’s evil twin, GHENGAR, is back with another face-melter. “HELP MEEEE!!!” throws you straight into a dystopian nightmare, fusing horror-fueled sound design with breakneck bass drops. The whole thing is like a boss battle in an old-school video game — glitchy, cinematic, and absolutely ruthless. If you like your dubstep with a side of psychological warfare, this one’s for you.
Versa – Another Yoi Song (VIP) [Beat Intelligence Network]
Dubstep FBI’s five-year anniversary deserved a proper send-off, and Versa delivered. This VIP of “Another Yoi Song” takes the original’s grimy energy and cranks it to dangerous levels. Expect rapid-fire bass chops, laser synths, and some of the nastiest switch-ups you will hear all year. It is underground dubstep at its best, designed to blow out subs.
CloZee, LSDREAM, Roniit – LOST [Odyzey Music & Heartwave]
The LSZEE project continues to impress, and “LOST” might be their most atmospheric release yet. Instead of plunging you into full-blown psychedelic disorientation, this one takes a more meditative approach. Roniit’s vocals glide over dreamy, reverb-soaked melodies, leading into a cinematic drop that feels weightless. It is the kind of track that makes you stare into the distance and rethink life for a minute.
Ganja White Night, Boogie T – Original Sin [SubCarbon]
Few duos have chemistry like Ganja White Night and Boogie T. “Original Sin” is a wobbly masterpiece, dripping with reggae-infused melodies, psychedelic textures, and Boogie’s unmistakable vocals. It is playful but powerful, bridging funk and underground bass in a way that only these two can pull off. The music video tells an emotional story and provides Boogie T lore, making it a must-watch.
Capochino – Tipsy [CAPO Records]
If you are not a fan of Capochino yet, that is about to change. His remix of J-Kwon’s “Tipsy” is madness, flipping the iconic hip-hop anthem into a bass-fueled weapon. This is peak party energy — huge 808s, punchy drums, and enough low-end bass to shake the room. Whether you are at a festival or just blasting this in the car with your rave squad, it is guaranteed to get people hyped.
Riot Ten – Bass Bop [Monstercat]
Riot Ten does not do subtle, and “Bass Bop” proves it. This is high-energy, no-nonsense dubstep at its finest. Built for mosh pits, rail riding, and mayhem., the intro teases just enough before a wave of aggressive bass and screeching synths take center stage. If you needed something to destroy your neck to, congratulations, you just found it.
Steller, Jaenga – Get Down [Field Trip Records]
Funk and wubs? Say less. Steller and Jaenga bring both in “Get Down,” a track that fuses old-school groove with bass-heavy destruction. The piano chords in the intro set a smooth vibe before things spiral into wobbly madness. It is the perfect balance of feel-good energy and hair-raising bass, plus ideal for when you want to dance but also lose your mind a little.
Caspa, MYTHM – Real Talk [Bassrush Records]
Old-school meets new-school in this absolute heater from Caspa and MYTHM. “Real Talk” takes dubstep back to its roots with deep, swampy basslines and that classic UK sound. The low-end pressure is suffocating in the best way, creeping up on you as if it is a fog rolling in. It is a reminder that sometimes less is more.
YDG, Bella Renee – Loving Me [Monstercat]
This track is seductive and sinister at the same time. YDG lays down some nasty freeform bass while Bella Renee’s vocals add a haunting, hypnotic quality to the tune. The buildup is pure tension, and when that drop hits, you will be completely stunned. If you are a fan of deep wubs with a melodic edge, this is a must-add to your playlist.
Ganja White Night – Game of Wubz [SubCarbon]
Ganja White Night’s new album Sprouted is already shaping up to be something special, and “Game of Wubz” is a prime example. This track is classic GWN—playful yet heavy, weird yet groovy. It feels like a throwback to their early wub-centric sound but polished with modern production. Whether you are an OG fan or new to the game, this one is a certified bass anthem.
Meduso – The Baddest [Perplex Studios]
Meduso is on a different wavelength right now. “The Baddest” is a unapologetic display of sound design, pulling from industrial bass, halftime, and dubstep. It is dark, twisted, and impossible to pin down. Every drop feels unpredictable, keeping you locked in from start to finish. For bassheads whom enjoy music that challenges the norm, this one is a must-hear.
SubDocta, shmani – The Answer [SubCarbon]
The opening track from SubDocta’s five-song Mustache Ride EP, “The Answer” delivers a mesmeric fusion of shmani’s ethereal vocals and SubDocta’s signature grimy bass design. It has got that perfect balance of beauty and chaos, sucking you in with atmospheric elements before a barrage of bass is shot at you. Other highlights from the EP include “I’m on That” with Jantsen and “Got Some.”
Cover Photo Courtesy Of @thirdeyecreator.
