January, 2026 | Ravers Heaven

Josh Wink’s “I’m Ready” Returns with a Modern Rework from Marco Faraone

Zedd Launches His Own Rollercoaster at Universal Studios Japan

Spotify Joins Major Labels in Lawsuit Against Anna’s Archive

Why NOCOLOUR Decided to Do it Themselves – And Why it’s Worked for Them

Playlist Promotion: Top 9 Services Ranked for Independent Artists in 2026

Avant Gardner Approved to Demolish Brooklyn Mirage Structure Amid Rumors of Takeover

Martin Garrix To Spotlight Local Openers In Every City Of America’s Tour

Tommy Torres Breaks Down His Studio Philosophy With KRK Monitors

How It Was Made: Morkhal – Aether Construct EP

Amedeo Picone on Staying Music-First in the Age of Influencer DJs

Coachella-Bound Trio LE YORA Release Official Cover of Radiohead’s “Everything In Its Right Place”

THE RESISTANCE Unleash ‘EVIL EMPIRE EP (THE REMIXES)’ Ahead of Rampage Debut

Full Lineups Announced for John Summit’s 2026 Experts Only Ski Weekender

Defected And Glitterbox Announce Packed Miami Music Week Parties

Winter Music Conference 2026 Launches A&R Pop-Up Lounge for Direct Demo Submissions

How Sacha Robotti’s 1990s Roots Shaped “Whistle Man” on Dirtybird

How It Was Made: Fundido – “Drops of Time” (Boyanza Records / Cosmic House)

Movement Festival Announces 2026 Full Lineup: Dom Dolla, Sara Landry, Carl Cox, & Many More

Ultra Music Festival Launches Artist Sustainability Initiatives ‘Mission: Home Alliance’, ‘Bayfront Bark’ & ‘Making Waves’

Carl Craig Named Michigan State University’s Next Artist-In-Residence