How Easier Access to DJing Changed the Scene Through Larrosa’s Eyes

Larrosa has been a steady presence in the progressive and melodic space for years, moving between clubs across South America and Europe with a style shaped by long-form builds, patience, and detail. His new collaboration Euphoria with Nico Sparvieri, SACK, and Flor Pavone arrives through Sasha’s Last Night On Earth, and it lands at a moment when conversations about club culture feel louder than ever.

Instead of talking about gear or production shortcuts, Larrosa used this interview to focus on the ecosystem around the music: how crowds have changed, how access has reshaped the booth, and how technology continues to redefine both opportunity and responsibility for DJs. His answers trace the shifts he’s seen from the vinyl era through the USB era, all the way into the current landscape of rapid discovery and constant social visibility.

The throughline is simple. The culture moves quickly, but the role of the artist stays rooted in intention. Larrosa’s approach reflects that, and Euphoria arrives as another point in that timeline, grounded in years of watching the dance floor shift and still knowing how to meet it with clarity.

Interview With Larrosa

What has been the biggest change you’ve seen in the club environment over the last ten years?

Over the last ten years, I’ve seen very interesting transformations in club culture. The scene has expanded and diversified, and that naturally brought a shift toward production, marketing, and the commercial structure of entertainment. This led to the appearance of new types of DJs and promoters who contribute their own energy and ways of connecting with the audience.

I think the challenge—and also the opportunity—lies in finding that meeting point between the artistic and the commercial, where each can contribute from their own place without losing the essence of the craft.

Has the energy on the dance floor changed in a way that you feel when you play?

The energy on the dance floor is constantly evolving, and it’s very enriching to observe from the booth. New generations bring a different freshness, with other references and expectations, while part of the more experienced crowd continues to seek deeper, more emotional experiences. That mix creates a dynamic, particular atmosphere every night.

For me, the challenge is always finding the balance: maintaining my musical identity while being flexible enough to connect with different audiences. It’s not about adapting superficially but expanding the spectrum within what I consider authentic and musically coherent. All of this allows us to have a dialogue with the dance floor and build a unique moment together.

How has easier access to DJing—equipment, music, education—changed who ends up behind the decks?

Access to DJing has opened up tremendously thanks to technology, education, and the almost infinite availability of music. We’ve gone from times when getting vinyls was a long and costly process—or when music platforms were very limited—to a present where everything is at everyone’s fingertips. This democratization brought many positives: more creativity, more diversity, and more opportunities for new generations to find their way.

The most important thing is that today’s tools allow artists to focus more on creativity and less on basic technical challenges, which opens the door to more elaborate and personal expressions. When used responsibly, technology greatly amplifies creativity.

Do you think levels of technical skill have changed now that technology is so accessible?

Technical levels have definitely changed, but rather than seeing it as a drop or a rise, I see it as a transformation. Before, much of the craft was centered on mastering very manual tools; today many of those barriers have been reduced, allowing artists to focus on other, more creative aspects.

Of course, the ease can lead some to showcase themselves before they’re fully formed, but that has always existed in different ways. What matters is that those who truly love the craft continue to deepen, explore, and work on developing a solid identity. Technology is an enormous ally when used as an extension of the artist—not as a replacement for effort or curiosity. The tools change, but the commitment remains the same.

Has your relationship with gear or technology evolved? Are you using tools now that you never imagined you would touch?

Absolutely. My relationship with technology has evolved a lot over the years. I started when vinyl was at the center of everything, and seeing it transform into digital platforms as efficient as Rekordbox has been fascinating.
Today I can organize, prepare, and analyze music in ways that were unthinkable before, and that helps me build more refined and personal sets. Additionally, tools like Ableton opened a huge creative world for edits, remixes, and ideas that I later take to the dance floor.

Technology didn’t just simplify logistical aspects—it expanded my artistic capacity. Years ago, it was hard to imagine that a simple USB could replace a box of vinyls or CDs, but it’s precisely that evolution that allows us to constantly reinvent ourselves as artists.

Has easier access generated more creativity, or simply more noise to filter through?

I think it has generated both, but it’s important to understand that they’re part of the same process. When a creative tool becomes democratized, it’s natural that a lot of diverse content appears. Within that sea, there are incredibly innovative proposals and others still in their formative stages.

Rather than a problem, I see it as a sign of vitality. The scene is in constant motion. What lasts is what’s authentic, refined, and truly connects with people. Technology makes entry easier, yes, but it also encourages new forms of expression that enrich the scene. In the end, what matters isn’t how many people enter, but the path each one chooses to walk within the art.

What is something from the old club culture that you feel has been lost in the push forward?

I think what has changed the most is not the essence but the way we experience it. In earlier times, the relationship between DJ, music, and audience was perhaps more direct, with fewer interruptions or external stimuli. People were very present, fully immersed in the musical journey.

Today we coexist with phones, social media, and a different pace, and that slightly changes how we connect. But I don’t see it as a loss—more as a transformation. Music still has the power to unite, move, and create unique moments. And when the atmosphere is right, that deep connection reappears.

What I do value from those times is the capacity for total surrender, living the moment without distractions. And in a way, it’s still possible—today it just requires a more conscious approach from the audience, artists, and clubs.