EDX Reflects on Building Sirup Music and Staying Relevant in 2026
Few artists in house music have balanced longevity and evolution as deliberately as EDX. With more than two billion streams, global residencies spanning Ibiza to Las Vegas, and over two decades at the helm of Sirup Music, Maurizio Colella has built an ecosystem that extends far beyond the DJ booth.
His first original release of 2026, “Innerglow,” which dropped back on February 27 via PinkStar Records, signals another chapter in that trajectory. The track channels late-night intensity through melodic structure and club-focused drive, reflecting the polished production standards that have defined his catalog.
In this conversation, EDX reflects on what keeps him engaged in his late 40s, how his role has shifted from proving himself to mentoring others, and why infrastructure and discipline matter as much as inspiration. From signing Tim Bergling early in his career to developing artists through Helvetic Nerds, he speaks candidly about responsibility, freedom, and the long-term view that continues to guide his work in 2026.
Interview With EDX
What continues to keep you engaged with the craft at this stage?
It has never been only about the decks for me. I entered the industry first as a graphic designer, creating visuals for music before I was releasing records myself, and that broader perspective has stayed with me. What keeps me engaged now is the intersection of production, sustainable business building, and mentoring new talent.
When I sit in the studio, I am thinking about the entire ecosystem. We grew Sirup Music from a small trance label with Tatana into a publishing house with nearly 15,000 works in its catalogue. I remember signing Tim Bergling when “Bromance” was still an early idea, and watching it become his first gold record globally. Seeing artists like Nora En Pure develop through Helvetic Nerds carries the same sense of purpose.
The craft for me now includes creating the conditions where strong music can happen, whether it is mine or someone else’s.
In your 40s, what feels different about why you step behind the decks?
In my 20s, stepping behind the decks was about proving something to myself and to the local scene in Zurich. I was making cassette mixes for a small afterhours club and working hard to be heard. In my 30s, it was about momentum, radio shows like “No Xcuses,” chart placements, and international residencies in places like Las Vegas and Ibiza.
Now in my late 40s, it feels like a dialogue. When I play, I represent a 20-year partnership with Christian Beat Hirt, the Helvetic Nerds collective, and the artists we have developed together. There is responsibility in that, and also clarity. I am less anxious and more focused. When I played at Space Ibiza in 2011, the feeling was excitement. Playing in Ibiza today carries gratitude, and that mindset changes how I approach a set.
How do you carve out your space in a scene that constantly renews itself?
The scene renews itself quickly, and trying to chase every new wave is unsustainable. I learned that the key is consistency in identity. The precision, melodic depth, and underground sensibility associated with our Swiss roots form a recognizable signature through Helvetic Nerds.
At the same time, you build structure. Sirup Music operates as a label and publishing house, providing stability for artists to grow. Our partnerships and long-term relationships create a foundation that outlasts short-term cycles. I am focused on remaining relevant through quality production, genuine artist development, and durable collaborations that will still matter years from now.
What freedoms have come with experience that younger artists might overlook?
Early in a career, many artists believe freedom comes from saying yes to everything. I approached it that way as well. Over time, I realized that real freedom comes from selectivity. I do not need to play 150 shows a year to validate myself. I can choose the right opportunities and spend more time refining my sound.
Experience also allows delegation. I built a team around Sirup Music and share A&R responsibilities with trusted partners. That structure lets me focus on creative direction and mentorship. The ability to support younger artists without insecurity is another freedom. Watching artists we have supported succeed confirms that the system we built works.
How do you structure your life to support both longevity in music and personal well-being?
Longevity requires intentional structure. I separate Maurizio Colella the person from EDX the artist. When I am home, I focus on family and personal life. When I am in the studio or touring, I commit fully to that role. That separation protects energy and focus.
I also rely on a strong team and established systems within Sirup Music. The infrastructure allows operations to continue smoothly when I am on the road. On a personal level, I prioritize sleep, nutrition, and time with people outside the industry. Sustainability comes from balance, and balance ensures that I can continue creating and mentoring for the long term.
