No Hype, No Gimmicks—Just Big Sound from Enchanted Core

Enchanted Core isn’t chasing a trend—he’s building his own version of it. His latest track Illusions (Don’t Leave Me) came together after watching Martin Garrix close out his EDC 2024 set, and you can hear that scale baked right into the DNA of the production. The crowd, the pacing, the tension—all of it left an impression. But instead of trying to replicate the experience, Enchanted Core pulled that inspiration through his own lens and pushed it in a new direction.

Illusions leans into bass house with the kind of energy that’s clearly built for big systems. The vocal chops were recorded straight from his phone, but they don’t feel like a placeholder. They lock in with the groove in a way that’s deliberate—messy in the right way. The drop doesn’t wait around. There’s no filler, no drawn-out intros. Just a straight jump into high-impact territory that’s meant to keep people moving.

He’s already planning to follow it up with more in the same vein. “A lot more bass house on the way,” he tells me, and there are some collaborations already locked that he’s keeping under wraps for now. But the momentum is there. He’s also set to play Ministry of Sound in London with Seven Lions—his first step into international venues, with more dates lining up behind it.

What makes this moment feel real isn’t just the production or the bookings—it’s the intention. Enchanted Core has dialed in on what he wants his tracks to do and who they’re for. Illusions doesn’t feel like a demo reel. It feels like a clear signal that he’s already where he’s supposed to be.