What to See at NAMM 2026: Floor Highlights Producers Absolutely Cannot Miss

Walking the floor at NAMM 2026 always turns into a reminder of how much is happening all at once, and this year already feels packed with gear, software, and ideas worth spending real time with.

I put this list together as a running snapshot of the booths, products, and demos that caught my attention during the show or in some press releases before the show, especially the ones that feel genuinely useful for producers, engineers, and artists right now. I’ll be updating this list throughout the week as we keep finding more interesting releases, conversations, and hands-on moments across the show floor at the NAMM Show 2026.

Check back often, since some of the most compelling discoveries tend to happen between scheduled appointments and unexpected stops.

Donner – Booth #6423

MIYAVI Signature Pedals

I found Donner’s Double Swords pedals super cool because this feels like a clear step into a new tier for the brand, especially with MIYAVI involved at the creative level. I’m looking forward to checking these out in person since the Rage Breaker and Dimension

Weaver cover a wide range of drive, modulation, and space effects without turning into menu-heavy multi-units. From a producer and guitarist standpoint, I like that each circuit has dedicated controls, which suggests hands-on shaping rather than preset chasing. I think players should be paying attention to how portable and self-contained this setup is, since MIYAVI is clearly aiming at rigs that work anywhere, including direct recording and mobile setups. This feels like a booth worth stopping at if you care about compact gear that still gives you serious control.

HLX-500 Headless Guitar

I’m excited to see the HLX-500 at NAMM because Donner keeps refining its headless designs in a way that feels practical rather than flashy. I like that this guitar focuses on tuning stability, balance, and portability, which are real concerns for touring players and home producers who track guitars in small rooms.

The integrated locking bridge and headless hardware suggest faster string changes and less time spent fighting tuning issues, which matters in real-world sessions. I also think the SSH pickup layout makes this appealing for producers who need one guitar to cover multiple styles without swapping instruments. This is a must-see booth if you want to get hands-on with a travel-friendly guitar that still feels complete.

Roland – Booth #202AB

Roland TR-1000 Rhythm Creator

I’m really looking forward to seeing the TR-1000 at the Roland booth because this feels like a rare moment where the company is moving its core drum machine line forward in a meaningful way.

I like that Roland brought true analog voices back into a modern unit, especially with circuits drawn directly from the 808 and 909, while still giving producers access to digital tools like FM percussion and PCM sounds. From a production standpoint, I think this hybrid approach makes a lot of sense since it supports classic programming habits alongside newer workflows.

I’m especially curious to get hands-on with the performance-focused interface, since that often defines how much a drum machine earns its place in daily use. This is a booth I’d recommend stopping at if rhythm programming sits at the center of your work.

Roland CR-78 Software Rhythm Composer

I’m excited to check out the CR-78 software because this brings a historically important rhythm machine into modern DAW sessions without the friction of vintage hardware. I’ve always appreciated how distinctive the original CR-78 patterns sound in records, and it’s great to see that character recreated with ACB modeling while adding modern sequencing and sync options.

From a producer angle, having individual sound control and tempo sync makes this far easier to integrate into current projects. I also think the pricing and Roland Cloud access make this especially appealing for producers who want classic rhythm textures without committing to physical gear. This feels like a must-see for anyone working primarily in the box.

BOSS Effects Pedals Update

I’m planning to spend time with the updated BOSS Effects Pedals plug-in because this keeps expanding into a very practical effects suite.

Adding the DM-2 Delay, OD-2 TURBO OverDrive, and DC-2 Dimension C fills in some important gaps for guitar and synth processing inside a DAW. I like that Roland continues to grow this library methodically rather than flooding it with half-finished models.

From my perspective as a producer, having these effects in one consistent interface makes recall and workflow much smoother. If you already rely on BOSS pedals in hardware form, this booth is worth visiting to see how closely the software tracks that experience.

Telegrapher Speakers at NAMM 2026 – Booth 15122

I’m legit stoked to swing by the Telegrapher Speakers booth at Booth 15122 because this lineup feels clearly designed around how people actually mix and listen in real rooms. I like that they’re expanding in a focused way, with nearfield, midfield, and low-frequency options that all stick to pure analog signal paths and passive radiator designs.

From a producer and engineer standpoint, I’m especially interested in hearing how the Raccoon and Panda translate at different listening distances, since controlled low end and imaging tend to fall apart fast in smaller studios.

The Carbon Fox also caught my attention because it refines an existing reference into something more touring-friendly and mobile. If monitoring accuracy and translation matter to your work, this is a booth I think people should make time for at NAMM 2026, and it’s easy to find them demonstrating the full lineup at Booth 15122 on the show floor.

LANDR

I’m planning to spend time with LANDR at NAMM 2026 because they are clearly positioning this as a hands-on moment rather than a passive product announcement.

I’m especially interested in seeing the two new AI-powered tools in action during NAMM Global Media Day on January 21 at the Anaheim Convention Center, since live demos tend to reveal far more than feature lists. From a producer perspective, I appreciate that LANDR is framing this around ethical, artist-consented AI and showing how it fits into real songwriting and production workflows. I’m also looking forward to catching their sessions and demos running January 22–24 across the John Lennon Educational Tour Bus and the Hilton Anaheim, which makes them easy to track down even outside the main show floor.

If you are curious about where AI tools are heading in practical studio use, this is one of the NAMM stops I think producers should make time for.

Harrison Audio LiveTrax 3 at NAMM 2026 – DiGiCo Booth 17501

I’m planning to stop by the DiGiCo booth at Booth 17501 to check out Harrison Audio LiveTrax 3 because this update feels directly aimed at real-world live sound workflows.

I’m especially interested in seeing how the new DiGiCo integration works in practice, since features like automatic session creation, channel name transfer, and snapshot-based markers solve actual pain points for live recording and virtual soundcheck. From a production and engineering perspective, I like that LiveTrax stays focused on stability and capture rather than trying to behave like a full DAW. Seeing it demonstrated on a DiGiCo Q112 console makes this an easy must-see for anyone working in live sound, broadcast, or multitrack show capture.

If you spend time recording shows or running virtual soundchecks, this is a booth I’d strongly recommend visiting during the show.

Gibson and KRK at NAMM 2026 – Booth 208A, Creator Lounge 303 BCD, KRK Booth 1141

I’m planning to spend a good amount of time around the Gibson presence at NAMM this year because they’re clearly treating 2026 as a major reset moment for the brand.

I’m especially interested in checking out the new 2026 product range and first-look acoustic and electric reveals happening outside Room 208A, since those vignette-style presentations usually give better context than a standard booth walkthrough. From a media and creator standpoint, the Creator Lounge in Room 303 BCD looks like a real hub, with hands-on access, panels, demos, and live performances that feel designed for actual use rather than quick impressions. I also plan to stop by the Pro Audio Hall to see what KRK is debuting at Booth 1141, especially with new monitoring solutions tied into modern production workflows.

If you care about instruments, amplification, and studio monitoring living under one connected ecosystem, this is one of the more concentrated areas of NAMM 2026 worth mapping out in advance.

Jamstik x Strandberg – Jamstik Booth 9907

I’m really looking forward to checking out the new collaboration between Jamstik and Strandberg Guitars because this feels like a serious step forward for MIDI guitar workflows.

What caught my attention right away is that this pairs Jamstik’s expressive, low-latency MIDI tech directly with Strandberg’s ergonomic headless electric design, while still keeping a full analog electric output. From a producer and guitarist perspective, that hybrid approach makes a lot of sense since it avoids forcing you to choose between traditional signal chains and MIDI control. I’m planning to spend time with this on the floor because it feels aimed at players who actually want to integrate guitar performance into modern production environments without compromise. You can see the Chameleon being demoed publicly for the first time at Jamstik Booth 9907 during NAMM Show 2026.