Boys Noize Reimagines Human Resource ‘Dominator’
Human Resource’s rave classic ‘Dominator’ returns in explosive form as Boys Noize delivers a high-energy rework that revives one of electronic music’s most iconic hooks for a new era. Leaning into the track’s original Hoover synth and memorable vocals, the GRAMMY-winning producer transforms the 1991 anthem into a modern techno weapon built for peak-hour moments.
‘Dominator’ – Boys Noize Rework
The Boys Noize ‘Dominator’ rework opens with a pounding techno kick and flashing sirens that set a ready-to-dance tone. The original Human Resource vocal, “I want to kiss myself,” jumps in first, followed by the iconic line that shaped early hardcore. As the phrase “I am the one and only dominator” fires, the track charges into its first drop.
The drop carries the classic Boys Noize energy, filled with attention-grabbing synths, playful sound design, and gritty textures. More lines from the 1991 anthem return during the break, including “I’m bigger, I’m bolder, I’m rougher, I’m tougher,” adding a familiar punch before the next surge. The second drop hits harder than the first, powered by a shuttering rhythm that moves with percision. A final drop lands with similar mind-wraping energy, capped by a signature sound design that twists the groove into a wild, club-ready spin.
Some background on ‘Dominator’ by Human Resource
The original ‘Dominator’ became a global rave staple in 1991, reaching #6 on the Dutch Top 40 and #36 on the U.K. Singles Chart. Its signature Hoover synth helped define the early hardcore and gabber sound. This made Human Resource into one of the first Dutch dance acts to break internationally. The Boys Noize ‘Dominator’ rework acts as a modern bridge. It pushes a rave classic into a new era without losing its core identity.
Boys Noize
Boys Noize, the project of Berlin-based artist Alex Ridha, has built a global reputation on banger tracks, memorable performances, and fearless sound design. Also, as a GRAMMY-winning producer, DJ, he blends techno, electro, house, and experimental edges with a forward-thinking approach. This mindset and career has shaped those genres and inspired rising artists. His work spans festival stages, underground rooms, film scores, and fashion collaborations.
Overall, Ridha’s catalog includes productions for artist like A$AP Rocky and Frank Ocean. Also, countless remixes, some of which were for Daft Punk and Depeche Mode. Continuing, his massive catalog of club hits such as ‘Mvinline’ and ‘Fine Day Anthem’. Through all these releases, he keeps one mission at the center: make music built for the dance floor and the fans who fuel it.
