
The 15 Best Bass Music Tracks Of January 2025
Welcome back to this monthly music chart, where we highlight and break down the top 15 bass-fueled anthems. January’s selection encompasses a ton of festival headliners, including Jessica Audiffred, Sullivan King, and Zeds Dead, to name a few.
However, we also have brain-melting representation from fast-rising underground artists such as jordnmoody, re:chase, and rSUN, reflecting experimental bass, wubs, dubstep, heavy bass house, trap, riddim, and everything in. Enter the realm of sonic experimentation as we shed light on various bass-powered anthems and their creators.
Follow our Spotify playlist below to keep tabs on all the tracks we have featured in our bass music chart this year and across 2024:
Ghastly – Hold Me One More Time [Bassrush Records]
There is no shortage of emotion in Ghastly’s latest release. “Hold Me One More Time” is a gripping blend of haunting melodies and heavy bass that takes listeners on a journey through heartbreak and catharsis. The track begins with eerie, pitched-up vocals that build into an explosive drop filled with jagged synths and breakbeat percussion. It is an excellent balance of vulnerability and raw energy, showcasing Ghastly’s ability to craft music that resonates on both an emotional and physical level.
Jade Cicada – Lunar Fade [Swarm Audio]
A more refined sound emerges in Lunar Fade EP, Jade Cicada’s latest project that trades dense layering for clarity and space. The EP moves with intentionality, letting each element breathe while still maintaining the complexity fans love. It is a refreshing departure from his previous chaotic arrangements, proving that sometimes, precision speaks louder than excess. Each track is immersive, blending intricate melodies with deep bass in a way that feels both hypnotic and effortless, especially the title single.
Code: Pandorum – Last Rite [Crowsnest Audio]
“Last Rite” feels like stepping into the climax of a psychological thriller. Code: Pandorum crafts a cinematic horror-bass hybrid, weaving eerie vocal samples with unsettling atmospheres before dropping into a nightmarish assault of distortion and relentless low-end. The track’s unsettling nature makes it impossible to ignore, immersing listeners in a world where darkness and bass music collide. For those seeking something truly sinister, this is an essential addition to any playlist.
Zeds Dead – One Of These Mornings [Deadbeats]
A long-awaited fan favorite, “One Of These Mornings” finally sees an official release, and it was well worth the wait. Zeds Dead reworks Ella Fitzgerald’s “Summertime” into a chilling, bass-driven masterpiece. The ethereal vocal floats over delicate piano and swelling strings before plunging into a deep, resonant drop. Nostalgia and innovation merge seamlessly, making this track a standout that highlights the duo’s ability to meld emotional depth with sheer bass power.
Two Friends, HRVY – All For Me (YDG Remix)
YDG reinvents Two Friends’ “All For Me” with a bass-fueled twist that transforms the track into a festival-ready weapon. Retaining the original’s infectious vocal hooks, this remix dials up the energy with thunderous drops and gritty bass stabs. Each section unfolds with dynamic switch-ups, keeping the listener engaged while maintaining a balance between melody and intensity. It is a remix that not only honors the original but also elevates it to new heights.
rSUN – 6am [Bassrush Records]
Few tracks capture the surreal energy of the early morning quite like “6am.” rSUN delivers a fusion of deep wubs and vocal chops, crafting an atmosphere that feels both meditative and electrifying. The bass pulses with just enough intensity to keep the momentum alive without overwhelming the dreamlike aesthetic. Featured on The Prophecy: Volume 11, this track stands out as a perfect pairing of weighty low-end and airy melodies.
Kito, Kah-Lo, brazy, Baauer – take your vibes and go (Taiki Nulight Remix) [Mad Decent]
Taiki Nulight’s remix of “take your vibes and go” is an adrenaline rush from start to finish. Incorporating elements of trap, bass house, and moombahton, he injects an undeniable energy that keeps the track bouncing. Punchy drums drive the groove, while infectious vocals add a layer of intensity that ensures this remix will ignite dancefloors. High-energy and unapologetically bold, this is a track built for movement.
Marvel Years – Let The Heat Build
A synthesis of bass, funk, and live instrumentation, “Let The Heat Build” is Marvel Years at his best. Shimmering guitar melodies intertwine with deep bass grooves, creating a track that is both soulful and intoxicating. The organic elements bring warmth to the production, making it easy to imagine this song playing in the background of a road trip or at a sun-soaked festival. It is uplifting, dynamic, and effortlessly cool.
Sullivan King – CHAOS WILL BRING PEACE [Monstercat]
Metal and dubstep collide once again in Sullivan King’s latest offering. “CHAOS WILL BRING PEACE” is a high-octane blend of scorching guitar riffs, punishing bass drops, and raw, anthemic vocals. The track encapsulates the balance of destruction and creation, a theme central to Sullivan King’s signature sound. With relentless energy and gripping intensity, this is a track built to shake both speakers and festival grounds.
Untitld, jordnmoody – Neon Circus [HypnoVizion Records]
There is something eerie yet captivating about “Neon Circus.” The track paints a picture of a dark, abandoned carnival, where warping basslines and melodies pulse like flickering neon lights. Synths swirl unpredictably, creating an immersive, otherworldly experience that feels both chaotic and controlled. It is a song that demands full attention, pulling the listener into its strange and colorful world.
Jessica Audiffred, SampliFire – Around The World (La La La) [A Records]
Jessica Audiffred teams up with SampliFire for “Around The World (La La La),” a track designed to command festival crowds. Explosive bass, relentless drums, and razor-sharp synths fuel the high-energy production, making it impossible to ignore. The song is aggressive yet polished, balancing raw power with precise execution. It is a reminder of why Jessica Audiffred continues to push boundaries in bass music.
Know Good, NITTI – Bulls On Parade
Flipping a rock classic into a bass anthem, Know Good and NITTI take Rage Against the Machine’s “Bulls On Parade” into uncharted territory. The track retains the rebellious spirit of the original while infusing it with a wobbling, heavy bassline that hits hard. It is a flawless blend of nostalgia and innovation, making it a must-play for high-energy settings.
re:chase – Way U Luv [On Read Records]
Emotion and bass music blend seamlessly in “Way U Luv.” re:chase builds a dreamy soundscape filled with airy wind chimes, soaring female vocals, and deep, resonant bass. Every detail feels intentional, resulting in a track that is both delicate and powerful. It is a shining example of how experimental bass can be both intricate and deeply emotive.
Teminite, Chime – Duckstep [NCS]
Teminite and Chime bring playful energy to “Duckstep,” a track that feels like a time capsule from the golden era of NoCopyrightSounds, back when it was the soundtrack to iconic games like Super Smash Bros. and Rocket League. Quirky sound design meets bass drops in a way that is both vintage and refreshing. The production is crisp, the melodies are magnetic, and the entire track exudes fun. If you are looking for something that does not take itself too seriously but still delivers, this is the optimal pick.
Mersiv – Looking Inward [Mersiv Sound Music]
“Looking Inward” bends reality with its intricate sound design and hypnotic low-end. Mersiv crafts an immersive journey through pulsating bass and airy atmospheres, allowing listeners to get lost in the music. The experimental nature of the track ensures that no two listens feel the same. For those who love deep, introspective bass, this is a must-listen.