VARIANT on Hybrid Trap, Cinematic Soundscapes, and Tech Innovation
Where quantum leaps in science and technology reshape the boundaries of human possibility—emerges VARIANT, an artist whose music carries the same spirit of innovation as the research environment that surrounds him. His latest single, ‘Hand High,’ is a synthesis of orchestral grandeur and mainstage electricity, bridging the cinematic with the visceral pulse of trap music. With the precision of a scientist and the imagination of a composer, VARIANT sculpts sound into immersive architecture.
The Architecture of ‘Hand High’
In our conversation, VARIANT revealed the intricate production techniques that underpin his work. He describes his creative process as an exploration of cinematic soundscapes, aiming to marry his orchestral background with the burgeoning hybrid trap movement. “I felt that the marriage of both my cinematic taste with a main stage feel would compliment the hybrid trap sound that has been taking over the EDM scene,” he explains. To achieve this, he utilized cellos to mimic low French horns, building tension through short, stabbing string arrangements.
Technical precision remains a hallmark of his sound. For the drop, VARIANT employed LFO manipulation to build unique patterns with sustained vocal and melody samples. He also credits the use of the “808 Cooker” plugin by Ramzoid for providing a robust foundation for his call-and-response drops. The track culminates in a “four on the floor” finale, blending orchestral intensity with pure dance energy.
Bridging Science and Sound
Beyond the studio, VARIANT’s work is deeply influenced by his professional background at the Los Alamos National Laboratory. This intersection of disciplines informs his perspective on both music and emerging technology. He is particularly fascinated by the concept of the “digital twin”—a virtual representation of physical systems—and the potential for “self-healing code” to revolutionize software reliability.
His cinematic sensibilities are heavily inspired by legendary score producers. He cites John Williams’ “Duel of the Fates” and James Horner’s work on Avatar as foundational influences. “The fact how he can make you feel like you are in another world as if you are exploring it yourself through sound,” he notes. Modern composers like Bear McCreary and Jóhann Jóhannson also feature prominently in his list of inspirations.
Reflecting on the Industry
When asked about the current state of the scene, VARIANT remains optimistic. Following his recent appearance at the New Mexico Music Awards, he expressed excitement about the diverse talent emerging in various genres. As he continues to work on new material spanning bass house, future bass, and midtempo, it is clear that his universe of sound is only beginning to expand.
